Filmography: Lucille Ball
Lucy appeared in 83 films between 1933 and 1974!
The Bowery
The Bowery is a 1933 American pre-Code comedy and action film about the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft. The supporting cast features Jackie Cooper, Fay Wray, and Pert Kelton.
Broadway Through a Keyhole
Broadway Through a Keyhole, also billed as Broadway Thru a Keyhole, is a 1933 American pre-Code musical film produced by Twentieth Century Pictures and released by United Artists. New York City speakeasy proprietress Texas Guinan appears as a fictionalized version of herself in the film. It also features early appearances by Lucille Ball, Ann Sothern, and Susan Fleming. The film is based on an original story by Broadway columnist Walter Winchell.
Roman Scandals
Roman Scandals is a 1933 American black-and-white pre-Code musical film starring Eddie Cantor, Ruth Etting, Gloria Stuart, Edward Arnold and David Manners. It was directed by Frank Tuttle. The film features a number of intricate production numbers choreographed by Busby Berkeley. The song "Keep Young and Beautiful" is from this film. In addition to the starring actors in the picture, the elaborate dance numbers are performed by the "Goldwyn Girls" (who in this film include future stars such as Lucille Ball, Paulette Goddard and Barbara Pepper). The title of the film is a pun on Roman sandals.
Moulin Rouge
Moulin Rouge[1] (French pronunciation: [mu.lɛ̃ ʁuʒ], French for "Red Mill") is a cabaret in Paris, France. The original house, which burned down in 1915, was co-founded in 1889 by Charles Zidler and Joseph Oller, who also owned the Paris Olympia. Close to Montmartre in the Paris district of Pigalle on Boulevard de Clichy in the 18th arrondissement, it is marked by the red windmill on its roof. The closest métro station is Blanche.
_02.jpg)
Hold That Girl
Hold That Girl is a 1934 American comedy film directed by Hamilton MacFadden and written by Dudley Nichols and Lamar Trotti. The film stars James Dunn, Claire Trevor, Alan Edwards, Gertrude Michael, John Davidson and Robert McWade. The film was released on March 24, 1934, by Fox Film Corporation.
Murder at the Vanities
Murder at the Vanities is a 1934 American Pre-Code musical film based on the 1933 Broadway musical with music by Victor Young. It was released by Paramount Pictures. It was directed by Mitchell Leisen, stars Victor McLaglen, Carl Brisson, Jack Oakie, Kitty Carlisle, Gertrude Michael, Toby Wing, and Jessie Ralph. Duke Ellington and his Orchestra are featured in the elaborate finale number.
Men of the Night
Men of the Night is a 1934 American drama film written and directed by Lambert Hillyer, which stars Bruce Cabot, Judith Allen, and Ward Bond.
Broadway Bill
Broadway Bill is a 1934 American comedy drama film directed by Frank Capra and starring Warner Baxter, Myrna Loy, Walter Connolly, and Helen Vinson. Written by Robert Riskin and based on the short story "Strictly Confidential" by Mark Hellinger, the film is about a man's love for his thoroughbred race horse and the woman who helps him achieve his dreams. Capra disliked the final product, and in an effort to make it more to his liking, he remade the film in 1950 as Riding High. In later years, the distributor of Riding High, Paramount Pictures, acquired the rights to Broadway Bill. The film was released in the United Kingdom as Strictly Confidential.
Jealousy
1934 - Larry O'Roark is a boxer who's insanely possessive and jealous of his fiancee, Jo. the sight of her and her employer, Mr. Lambert, at ringside during his big fight distracts Larry and he is knocked out. He then promises never to be jealous again and marries Jo. When she realizes that they're broke she asks Lambert for a job (she had quit on marrying Larry.) One thing leads to another and Larry, enraged with jealousy, end up killing Lambert. He then wanders off in a daze, and Jo takes the rap for the murder. Larry descends from his amnesiac fog just in time to interrupt the announcement of the jury's verdict in Jo's trial. then it's off to the chair for Larry. Or is it?
Fugitive Lady
1934 - When the beautiful Ann Duncan loses her job, she finally accepts Jack Howard's marriage proposal and agrees to elope with him. Ann is soon made aware of Jack's criminal past when Jack flees from the police and she is caught in possession of his stolen goods and sent to prison. The train transporting Ann to the prison wrecks, and she is mistaken for Mrs. Howard, one of the killed passengers, who was on her way to meet her mother-in-law for the first time. Ann is taken to the home of Donald Howard, where she tells Donald and his mother what has happened.
Behind the Evidence
1935 - Norman Foster plays a millionaire who takes a job as a reporter after he's wiped out in the Stock Market. Foster's managing editor Samuel S. Hinds considers the young upstart to be a pain in the neck. But all is forgiven-at least until next time-when Foster solves a series of puzzling robberies.
Carnival
1935 - "Chick" Thompson is a puppet-master in a traveling carnival whose wife dies in childbirth and leaves him with an infant son he names "Poochy." His father-in-law and the baby's grandfather sues him for custody of the baby and Chick takes his son and hides out for a couple of years. He joins his former assistants, Daisy and "Fingers", in a circus act only to find that the persistent grandfather is still on his trail.
The Whole Town's Talking
The Whole Town's Talking (released in the UK as Passport to Fame) is a 1935 American comedy film starring Edward G. Robinson as a law-abiding man who bears a striking resemblance to a killer, with Jean Arthur as his love interest. It was directed by John Ford from a screenplay by Jo Swerling and Robert Riskin based on a story by W.R. Burnett originally published in Collier's in August 1932.[1] Burnett was also the author of the source material for Robinson's screen break-through, Little Caesar. The film The Whole Town's Talking (1926) has no story connection to this film. The story was remade in 1998 as the Bollywood film Duplicate.
Roberta
Roberta is a 1935 musical film by RKO starring Irene Dunne, Fred Astaire, Ginger Rogers, and Randolph Scott. It was an adaptation of a 1933 Broadway musical Roberta, which in turn was based on the novel Gowns by Roberta by Alice Duer Miller. It was a solid hit, showing a net profit of more than three-quarters of a million dollars.
I'll Love You Always
1935 - Nora Clegg, an actress, marries Carl Brent, an unemployed young engineer, whose estimation of his worth and ability keeps him from getting a job. He finally acquires a position that will require him to go to Russia for a period of time, while Nora goes back to the stage during his absence. But he loses out on the job at the last minute, and rather than tell Nora he has failed again, he steals a roll of money from his prospective employer to buy some things for Nora and go out and have a good time before, she things, his departure.
Top Hat
Top Hat is a 1935 American screwball musical comedy film in which Fred Astaire plays an American dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick (Edward Everett Horton). He meets and attempts to impress Dale Tremont (Ginger Rogers) to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini, a fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge.
The Three Musketeers
I Dream Too Much
I Dream Too Much is a 1935 American romantic comedy film directed by John Cromwell. It stars Henry Fonda, Lily Pons, and Lucille Ball in one of her earliest roles. It has been described as a "somewhat wispy operetta."[2] Songs are by Jerome Kern and Dorothy Fields. The film was nominated for an Academy Award in the category Sound Recording (Carl Dreher).[3] .
Muss 'em Up
Muss 'Em Up is a 1936 American detective drama film directed by Charles Vidor from a screenplay by Erwin Gelsey. RKO Radio pictures premiered the film in New York City on February 1, 1936, with a nationwide opening on February 14. The film stars Preston Foster and Margaret Callahan, with a supporting cast which includes Alan Mowbray, Ralph Morgan, Big Boy Williams, and Maxie Rosenbloom.
Follow the Fleet
Muss 'Em Up is a 1936 American detective drama film directed by Charles Vidor from a screenplay by Erwin Gelsey. RKO Radio pictures premiered the film in New York City on February 1, 1936, with a nationwide opening on February 14. The film stars Preston Foster and Margaret Callahan, with a supporting cast which includes Alan Mowbray, Ralph Morgan, Big Boy Williams, and Maxie Rosenbloom.
The Farmer in the Dell
The Farmer in the Dell is a 1936 American comedy film directed by Ben Holmes from a screenplay by Sam Mintz and John Grey, adapted from Phil Stong's 1935 novel, which was similarly titled, Farmer in the Dell. The film was premiered by RKO Radio Pictures in New York City on March 6, 1936, and released widely later that month on March 27. It stars Fred Stone (making his film debut), Jean Parker, and Esther Dale.
Bunker Bean
Bunker Bean is a 1936 American black-and-white comedy film adapted from a novel by Harry Leon Wilson. It was directed by William Hamilton and Edward Killy, produced by William Sistrom starring Owen Davis, Jr. as the title character. The cast included Lucille Ball as Mrs Kelly.
That Girl from Paris
1936 - Nikki Martin, a parisian opera star, takes off in search of adventure and true-love leaving her arranged husband to be at the alter. While hitchhiking, Nikki meets handsome American musician, Windy McLean and his band the 'McLean Wildcats'. Windy immediately spites her, but Nikki falls in love with him and follows him to New York by stowing away on the ship his on. The steward finds her hiding in Windy and the Wilcats room...
Don't Tell the Wife
Don't Tell the Wife is a 1937 American comedy film directed by Christy Cabanne using a screenplay by Nat Perrin adapted from the play, Once Over Lightly, written by George Holland. The film stars Guy Kibbee, Una Merkel, and Lynne Overman, with Lucille Ball, William Demarest, and Academy Award winner Hattie McDaniel in supporting roles. Produced by RKO Radio Pictures, it premiered in New York City on February 18, 1937, and was released nationwide on March 5.
.jpg)
Stage Door
Stage Door is a 1937 RKO film directed by Gregory La Cava. Adapted from the play of the same name, it tells the story of several would-be actresses who live together in a boarding house at 158 West 58th Street in New York City. The film stars Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Gail Patrick, Constance Collier, Andrea Leeds, Samuel S. Hinds and Lucille Ball. Eve Arden and Ann Miller, who became notable in later films, play minor characters.
Next Time I Marry
Next Time I Marry is a 1938 American comedy film directed by Garson Kanin and written by John Twist and Helen Meinardi. The film stars Lucille Ball, James Ellison, Lee Bowman, Granville Bates and Mantan Moreland. The film was released on December 9, 1938, by RKO Pictures.
Twelve Crowded Hours
Twelve Crowded Hours is a 1939 film directed by Lew Landers and starring Richard Dix and Lucille Ball. When the brother of his girlfriend Paula Sanders is accused of murder, reporter Nick Green tries to clear him. He suspects gangster George Costain of the crime. Nick steals a satchel of Costain's policy racket receipts, placing his life and Paula's in great danger.
Five Came Back
Five Came Back is a 1939 American black-and-white melodrama from RKO Radio Pictures, produced by Robert Sisk, directed by John Farrow, that stars Chester Morris and Lucille Ball. The film was photographed by cinematographer Nicholas Musuraca, and written by Jerry Cady, Dalton Trumbo, and Nathanael West. Although considered a B movie, the positive notices received by Ball helped launch her as an A-list actress. Five Came Back is considered a precursor of the disaster film genre. In 1948 Five Came Back was remade (differing only in minor details) as the Mexican film Los que volvieron and again in 1956 by producer-director Farrow as Back from Eternity, starring Robert Ryan and Anita Ekberg.
.jpg)
Dance, Girl, Dance
Dance, Girl, Dance is a film released in 1940 and directed by Dorothy Arzner.[1][2] In 2007, Dance, Girl, Dance was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", describing it as Arzner's "most intriguing film" and a "meditation on the disparity between art and commerce. The dancers, played by Maureen O'Hara and Lucille Ball, strive to preserve their own feminist integrity, while fighting for their place in the spotlight and for the love of male lead Louis Hayward."[3] Dance, Girl, Dance was edited by Robert Wise, whose next film as editor was Citizen Kane and who later won Oscars as director of West Side Story and The Sound of Music.
A Girl, a Guy, and a Gob
A Girl, a Guy and a Gob is a 1941 film produced by Harold Lloyd and starring George Murphy, Lucille Ball, and Edmond O'Brien. Steve is a shy quiet man who is an executive for a shipping firm. He meets Dot at the Opera where she had his seats and the next day she shows up as his temporary secretary. Then Coffee Cup comes to town to see Dot, his gal. When Steven is with Cecilia, everything is boring. When he is with Dot and Coffee Cup, everything is exciting and he falls for Dot. But Coffee is getting out of the Navy in a few days and he plans to marry Dot.
Valley of the Sun
1942 - In 1868, Army scout Johnny Ware is courtmartialed for helping Indians against their white oppressors, but escapes and finds himself in the hamlet of Desert Center. There, he crosses paths with Christine Larson who is about to marry one of the crooked Indian agents...but not if Johnny can help it. The film lapses frequently into comedy, with an action climax as our hero tries to head off an incipient Indian war.
Seven Days' Leave
The Big Street is a 1942 American drama film starring Henry Fonda and Lucille Ball, based on the short story "Little Pinks" by Damon Runyon, who also produced the movie. The film was directed by Irving Reis. The screenplay was written by Leonard Spigelgass from Runyon's story.
DuBarry Was a Lady
Du Barry Was a Lady is a 1943 American musical comedy film, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his Orchestra. It is based on the 1939 stage musical of the same name. Shot in Technicolor, the film was directed by Roy Del Ruth and produced and distributed by Metro-Goldwyn-Mayer.
Meet the People
Meet the People (1944) is a Metro-Goldwyn-Mayer musical comedy film made, and set, during World War II, and starring Lucille Ball and Dick Powell and featuring Virginia O'Brien, Bert Lahr, Rags Ragland and June Allyson. The film takes its title from a successful Los Angeles musical revue, which ran on Broadway from December 25, 1939 to May 10, 1941. Vaughn Monroe and his orchestra, Spike Jones and his City Slickers, and Virginia O'Brien were also in the original stage cast. O'Brien sings the hit song "Say We're Sweethearts Again".
Abbott and Costello in Hollywood
Abbott and Costello in Hollywood (on screen title Bud Abbott and Lou Costello in Hollywood) is a 1945 black-and-white comedy film from Metro-Goldwyn-Mayer, produced by Martin A. Gosch, directed by S. Sylvan Simon, that stars the comedy team of Abbott and Costello. Many stars appear in the film as themselves, such as Lucille Ball, Rags Ragland, Preston Foster, and a young Dean Stockwell.
Easy to Wed
Easy to Wed is a 1946 Technicolor American musical comedy film directed by Edward Buzzell and starring Van Johnson, Esther Williams, Lucille Ball, and Keenan Wynn. The screenplay by Dorothy Kingsley is an adaptation of the screenplay of the 1936 film Libeled Lady by Maurine Dallas Watkins, Howard Emmett Rogers, and George Oppenheimer.
The Fuller Brush Girl
The Fuller Brush Girl is a 1950 slapstick comedy starring Lucille Ball and directed by Lloyd Bacon. Animator Frank Tashlin wrote the script. Ball plays a quirky door-to-door cosmetics saleswoman for the Fuller Brush Company. The film also stars Eddie Albert and has an uncredited cameo by Red Skelton (who had starred in the Tashlin-scripted The Fuller Brush Man two years earlier).
Forever, Darling
Forever, Darling is a 1956 Eastman Color American romantic comedy film with fantasy overtones, starring Lucille Ball, Desi Arnaz, and James Mason, directed by Alexander Hall and released by Metro-Goldwyn-Mayer. The original screenplay is by Helen Deutsch and focuses on a married couple whose troubled marriage is saved with the help of a guardian angel.
Critic's Choice
Critic's Choice is a 1963 comedy film directed by Don Weis. Based on the 1960 Broadway play of the same name by Ira Levin, the movie starred Bob Hope and Lucille Ball and included Rip Torn, Marilyn Maxwell, Jim Backus, Marie Windsor and Jerome Cowan in the cast. This was the last of four films that Hope and Ball made together.
.jpg)
Yours, Mine and Ours
Yours, Mine and Ours is a 1968 American family comedy film directed by Melville Shavelson and starring Lucille Ball, Henry Fonda and Van Johnson. Before its release, it had three other working titles: The Beardsley Story, Full House, and His, Hers, and Theirs. It was based loosely on the story of Frank and Helen Beardsley, although Desilu Productions bought the rights to the story long before Helen's autobiographical book Who Gets the Drumstick? was released to bookstores. Screenwriters Madelyn Pugh and Bob Carroll wrote several I Love Lucy-style stunts that in most cases had no basis in the actual lives of the Beardsley family, before Melville Shavelson and Mort Lachman took over primary writing duties. The film was commercially successful, and even the Beardsleys themselves appreciated it
